Discover the spiritual and artistic brilliance of a forgotten female painter of the Italian Baroque. 1. Introduction: Why Don’t We Hear More About Lucrina Fetti? You’ve heard of Caravaggio. You
Why Don’t We Hear Enough About Fede Galizia? In every art history textbook, we find the same names: Leonardo, Michelangelo, Caravaggio, and Titian. But what about Fede Galizia? Fede Galizia
Lotte Laserstein: The Painter Who Froze a Lost World in Oil In a quiet studio in 1920s Berlin, under soft northern light streaming through tall windows, a young woman painted.
Anna Dorothea Therbusch, The Court Painter Who Challenged Prussian Conventions, was a self-taught prodigy turned royal portraitist. Therbusch battled patriarchal norms to paint her way into the Enlightenment’s spotlight. Anna
Jacoba van Heemskerck , Dutch Abstract Pioneer in Expressionism and Theosophy. A trailblazing woman who transformed landscapes into sacred compositions of color, form, and spirituality. A Life Guided by Spirit
The only woman in the Fauvist circle, Georgette Agutte, painted with defiant color and lived with unapologetic independence. Before abstract art made its splash, before modernism became the movement to
Fahrelnissa Zeid, from Ottoman princess to modernist rebel, defied expectations with her bold use of color, courage, and cosmopolitan flair. If there was ever a painter who bridged continents, cultures,
Berthe Morisot: The Impressionist Trailblazer Who Painted in Light and Defied Convention Before Frida donned a flower crown, before Georgia picked up a brush in the desert, there was Berthe
Michaelina Wautier: The Bold Belgian Baroque Painter Who Outsized, Out Painted, and Outlasted the Boys—Until History Forgot Her (But Not Anymore!)” Some artists go big, and then there’s Michaelina Wautier,
Clara Peeters: The 17th-Century Still-Life Queen Who Snuck Into Her Own Paintings Clara Peeters(1594 – 1657) In a world where men dominated the brush and the canvas, Clara Peeters managed
Who was Elisabetta Sirani? Self-Portrait as Allegory of Painting (1658) by Elisabetta Sirani, Pushkin Museum, Moscow Before Frida, before Artemisia, there was Elisabetta Sirani, a brilliant, bold, and prolific painter who didn’t just
Angelica Kauffman: The Neoclassical Artist Who Outsmarted 18th-Century Art Snobs What do you get when you cross genius-level talent, fluency in four languages, a flair for drama, and a paintbrush?
